RE:SONATE
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The Salk Institute courtyard looking west into a low sun, the towers in silhouette on either side.

The Salk Institute for Biological Studies

Where

On the bluffs above the Pacific.

The Institute stands in La Jolla, San Diego, on a mesa that drops away to the ocean. The courtyard is laid on a single axis running due west, so the sun sets down the middle of it — which is why the evening is built around that hour.

RE:SONATE uses two of its spaces. The courtyard becomes the room for the main set, its towers carrying projection. The eucalyptus grove alongside it holds the afternoon: the science stations, the installations, and the quieter part of the day.

The Salk Institute courtyard at sunset, its central water channel running between the concrete towers toward the Pacific.
Kahn's courtyard. One axis, due west.

The building

Louis Kahn, completed 1965.

Jonas Salk commissioned Kahn and asked for a building that would be worth inviting an artist into. What Kahn built is two mirror-image blocks, six storeys each, facing one another across an open travertine plaza — cut lengthwise by the river of life, a thin channel of water that crosses the courtyard and falls into pools at the western end.

The palette is deliberately short: concrete, teak, lead, glass, steel. The teak of the study towers and the west-facing windows was left raw on Kahn's instruction — no stain, no sealer — so the building would weather rather than be maintained into stasis. The American Institute of Architects gave it their Twenty-five Year Award in 1992.

A shaded walkway inside the Salk Institute: concrete piers and travertine paving, a lone figure at the far end.
Travertine and raw teak, left to weather.

The grove

Eucalyptus, and room to talk.

The grove sits beside the courtyard, shaded and quiet enough to hold a conversation in. It is where the science stations and the art installations go.

Hand drawing: the eucalyptus grove staged for the afternoon — the four station placards among the trees, mirrored spiral sculptures, a fire pit with lounge seating, and a bar under the canopy.
Concept drawing: the grove, transformed for the afternoon. Station partners are not yet confirmed.

Why here

Not a backdrop. The reason.

The Institute is the conceptual and symbolic home for this idea, not a venue that happened to be available. Jonas Salk wanted a place where scientific inquiry could sit alongside cultural and philosophical life — open, creative, built for the exchange of ideas — and he said so in the terms an event like this would need.

In my view, art and the approach to life through art, using it as a vehicle for education and even for doing science, is so vital that it is part of a great new revolution that is taking place.

Jonas Salk in profile, seated at a blackboard covered in diagrams. Jonas Salk
Founder, Salk Institute

Look it up

Straight from the Institute.

Further reading

  • Architecture
    The Institute's own account of Kahn's design, the materials, and the conservation work on the teak. salk.edu/about/about-salk-architecture
  • The Institute
    Who works there and what they research, from immunology and neuroscience to plant biology and genomics. salk.edu

Support the launch RE:SONATE is its own format. The Salk Institute is where it launches.